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In the near future, the Ai shorts market is back on the black horse. The first AI in Hong Kong television has produced a youth school love drama ” You are in My Mind ” , which has landed at myTV SUPER and TVB Plus. Production by TVB Plus, by MyTV SUPER, for less than two minutes each, featuring actor Zheng Baeren, Yuko Yuna and Hugo.
In the creation of ” You are One in My Mind ” , AI is in charge of graphic design, and the production team is in charge of perfecting the drama, fine-tuning the role, and optimizing the impact of the vision on many occasions, and creating fine emotional images. In order to make role emotions more real, all actors’ phonographs are performed by professional human phonographers to ensure that each sentence is accurately transmitted to the inner world of the role. In addition, a personal Instagram account has been set up by the actor Luna and Hugo to interact more directly with fans.
Apart from TVB, the world is doing an AI short play, and the national team has a number of works like ” The Chinese Myth and Monkey King ” ; in addition, Tristar: A Revelation of the Future, ” Loading the New World ” ” The Nine Fox Demons in love with me ” , and so on.
China’s first AIG adaptation of the science-fiction-IP short show “Sunfall” also landed in the East Watch. The AIS short play, which was made in only three months, presented a science fiction story of more than 50 characters and 200 scenes, which brought to the audience and to the users a sensational experience of film quality and what the users call the short play’s technological “favorite”.
The AI short play is tearing apart the traditional boundaries of the visual industry in a brutally growing gesture. Is this creative festivities, inspired by the tools of the Oracle, or the Oracle, a new revolution that destabilizes the industry, or is it a false boom?
ZeniumThe low-threshold carnival, the “fall-down” of the Ai short.
The word “threshold” has been completely re-engineered in the world of the AI short play.
It takes weeks for the traditional video team to produce a picture without a realistic view, without an actor’s period of negotiation or even a professional spectroscoper, a personal creator, to tap a script with an A-tool.
This “zero-smoke, low-cost” model allows entrepreneurship dreams to become a reality: people with brain-blowed charades, people with charades designed to make a comeback, and the Ai drama on short video platforms springs out of the rain.
More crucially, the viewer’s “fresh filter” is still in effect. Despite the roughness of most of the work, AI can easily achieve the reality of a “fictionful scene” in which real people are able to film hard-to-do: flying foxes, floating cuisine, machinations at the end of the day, which are visual elements that break the limits of reality and precisely strike the audience’s need for a “new experience”.
In essence, the dual advantage of “low-cost test error + high-topic” — with two minutes/set of fast-paced content, low-cost capture of the new course, and the ability to harvest a wave of traffic by using the label of the “first Ai short show” — has been recognized by road creators and large platforms.
ZeniumHard wounds: technical flaws and the double dilemma of empty content
Behind the carnival, the “hard wound” of the Ai short show was already revealed.
The technical problems of inadequate quality, inflexible action, and face-to-face like “paper people” have not been fully resolved, even after many iterative applications of “cable” or “dream AI” and so on.
AI can draw a beautiful campus, but it can’t draw a small radians when the role moves; it can generate consistent action without being able to speak the natural human body language. Even more deadly is the loss of emotional transmission: the AI actor does not have real emotional fluctuations, and even with a real voice, the “deep” in white is empty, as if it were a cold screen that would not allow the audience to feel the same.
What is worse than a technical flaw is the “empty” of content. In order to accommodate the “fast-paced” and “hunting eccentricity”, most of the AI shorts are caught in the eccentric circle of “crazy, logic-busting”: the first second was a school relationship, and the next second was suddenly passing through the world of cuisine; the first half of the role was called “to protect you”, and the second half was turned against without any preparation. Such an exercise in sacrificing logic for the sake of “favours” is essentially an overdraft of the aesthetics of the audience — when the freshness fades, who will pay for the unnourished drama? The so-called flashing of hundreds of millions of dollars is only a bubble of short-term flows, not an accumulation of long-term rhetoric.
ZeniumThe future is?
There is no denying that the “imaginative advantage” of the AI short play still has great potential. The creative logic of being naturally fit for AI on such topics as skepticism, sci-fiction, phantom, such as the wasteland landscape in extreme environmental survival, the macro-world view of the exorcism of the world, and the strange atmosphere in the East’s machinations, which are very costly to film from real people, is the “homeground” of AI. But in order to move from “experimental products” to “mainstream content”, the AI short play must first cross the “content revolution”.
At present, the two paths of the explosive AI short play are at the beginning of the day, but both require further deep cultivation.
One is “hot-belt”: to combine the imagination of AI with the social hotspots, such as the creation of Three Stars: A Revelation of the Future with the “Tritech+Culture” IP; the other is “Founding content”: like TVB, to involve the production team in deep-seated drama grinding and fine-tuning, and to make up for empty panels using the “AI Image+Turn +Profession” model.
But even so, for the AI short play to be truly grounded, it also has to address the issue of the “nerves of thought” — it cannot remain merely at the “fresh” level, and it needs to convey the values of temperature and depth, as is the case with traditional video, or it will always be the “fast of short video platforms”.
Media reference & post-observation
The emergence of the AI short play has indeed opened up new possibilities for the film industry: it has lowered the creation threshold, widened the subject matter boundary and allowed more people to participate in content creation.
But the party should not be a blind cult of “technology for everything” or a “flow without quality” speculation. When the technological trajectories catch up with imagination, when the depth of content matches the visual wonders, it is possible for the AI short play to turn from a “foam” to a real “revolution” — otherwise, it is just another instant industry.